Arri Alexa Mini Shooting Package with Camera Operator or Focus Puller
INCLUDED WITH HIRE:
Arri Alexa Mini Camera Kit
Cooke Mini S4/i Lens Set
OConnor Ultimate 2560 Fluid Head Tripod Package
Arri SMB-2 Studio Matte Box or Arri LMB-25 Lightweight Matte Box
Arri FF5 Cine Follow Focus
Camera Operator or Focus Puller Emily-Jane Robinson
Starting at £1000 per day / £3000 per week + VAT.
Contact Us for additional pricing plans for our Alexa Mini Shooting Kit + Operator or Focus Puller with additional Crew.
Arri Alexa Mini
INCLUDED WITH HIRE:
• Arri ALEXA Mini Body
• Arri ALEXA Mini Viewfinder
• 1x EVF Mount
• 1x Arri Titanium PL LDS mount with L-Bus 1.00 connector
• 1x Transvideo / Arri Starlite HD5 5-inch monitor
• 1x Arri MVB-1, Viewfinder mounting bracket for ALEXA Mini
• 2x Arri Lightweight adapter plate for ALEXA Mini
• 2x Arri Adapter plate with rod support for ALEXA Mini
• 2x Arri Side bracket for ALEXA Mini
• 1x Arri BPA-4, Bridge plate adapter for ALEXA Mini
• 2x Arri RMB-3, Rod mounting bracket
• 2x Arri 15mm Reduction insert for RMB-3
• 1x Arri CCH-2, Center camera handle
• 1x Arri Support Rods 340 mm (13.4”), 15 mm
• 1x Arri BAP-1, Battery Plate
• 1x Arri CSP-1, Shoulder Pad
• 1x Arri KC 153-S, Ethernet/RJ-45 Cable (3.00m/9.8ft)
• 1x Arri KC-50, Power Cable Straight (2m, 6.6 feet)
• 3x SanDisk CFast 2.0 Card 128 GB
• 1x Arri CFast 2.0 Card Reader
• 1x Arri BPA-4 mini bridge plate adapter
• 1x Arri BP-8 19mm bridge plate and dove plate kit
• Arri Alexa Mini Audio Connector With Cable
• Hawk-Woods VL-CFM1A V-Lock Camera Fitting (Arri Alexa Mini)
• 4x Hawk Woods 90wh V-lock Lithium-Ion Premium Life / High Discharge Batteries + Charger
• Wooden Camera - ARRI - A-Box (Alexa Mini)
• 1x Vocas Left Wooden Hand Grip + Extensions
• 1x Vocas Right Wooden Hand Grip + Extensions
• 2x Vocas Long Extenders
• 2x Vocas Medium Extenders
• 1x DTAP Power Cable For Transvideo Monitor
• 1x Protection Cover For Transvideo Monitor
• 4x Hawkwoods Vlock Batteries + Charger
• 1x Hawkwoods Vlock Charger + Mains Adapter
• 1x Hawkwoods Alexa Mini Mains Power Cable
• Arri FF-5 Adapter for Bridge Plate 19 mm
• 2x 19mm support rods (440mm)
• 1x Spare EVF cable
- Lightweight carbon housing
- Highly integrated and sealed electronics
- In-camera recording to CFast 2.0 memory cards
- HD, 2K, 4K UHD recording
- ProRes up to 200 fps
- Uncompressed ARRIRAW up to 30 fps
- 4:3 sensor for anamorphic productions
- Exchangeable PL, B4 and EF lens mounts
- Cost-efficient in-camera grading
Complementing the ALEXA range
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
Strength and agility through state-of-the-art materials
To maintain ARRI’s famously rugged build quality in a small and lightweight camera, a number of unique design solutions have been incorporated. These include highly integrated and sealed electronics, a lightweight carbon housing and a solid titanium PL mount that connects directly with the new internal sensor mount – also made of titanium – to ensure a super-stable flange focal distance, even when using large lenses. Nimble in use and hardy on set, the ALEXA Mini is an easy to transportgo-anywhere tool.
Versatile mounting and shooting options
The ALEXA Mini can be operated in a number of ways: by wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Light enough to be comfortably held at arm’s length in a hand rig, its compact size and extremely quiet operation also make it ideal for tight shooting conditions. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, the ALEXA Mini’s interchangeable lens mount can be replaced with any of those designed for the ARRI AMIRA, allowing the use of B4 video and EF mount stills lenses.
Uncompromised image quality for specialized shots
The overwhelming advantage of the ALEXA Mini is that it marries such a compact and lightweight form factor with the same unparalleled image quality that has made the ARRI ALEXA system a gold standard for the industry.
Combine the Mini with any other ALEXA camera and you will have perfectly matched images, even on anamorphic productions thanks to the 4:3 sensor and automatic de‑squeeze function. Workflows will also be identical, with options to record ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder.
Save time on set
With the ALEXA Mini, no extra time needs be spent on set configuring third-party cameras previously required for specialized shots or on wrangling the image files coming out of them. Multi-camera setups such as 360° plate shots will be made simpler and faster by the external Codex recorder, which can record image streams from up to four ALEXA Minis simultaneously. The camera’s maximum frame rate of 200 fps means it can also be used for stunning slow-motion cinematography, saving further time and money on set by doing away with the need for a separate high-speed camera.
Save time in post
In the past, productions combining small cameras from other manufacturers with an ARRI ALEXA shooting kit have encountered time-consuming difficulties in the grade, trying to match images from those cameras to ALEXA’s famously natural colourimetry and pleasing skin tones. With the ALEXA Mini these difficulties are eliminated because all images come from the same sensor and share the same colour space. The ability to use CDLs and 3D LUTs in-camera for on-set colour management will also reduce time and money spent in post.
Integrated lens motor control and ND filters, perfect for gimbals and multicopters
The ALEXA Mini’s camera body has been designed with new-generation brushless gimbals, multicopters and other specialized rigs in mind. It is compact enough in the lens direction to allow the use of standard PL mount lenses even on lightweight and space-constrained rigs, such as gyro-stabilized aerial systems. The camera’s superb low-light performance makes it perfect for underwater work, and dedicated underwater housings are currently being developed by leading manufacturers.Built-in Wi-Fi connectivity facilitates remote control of camera functions from iOS or Android devices, with no need for a special app. The motorized and remotely-controllable internal ND filters permit rapid responses to changing light conditions, and help keep clutter around the camera to a minimum.
Cost-saving camera and lens metadata
Integrated ARRI Lens Data System (LDS) technology brings the added value of frame‑accurate metadata about focus, iris and zoom settings. With these lens settings and exact depth‑of‑field displayed live on wireless hand units, precise adjustments can be made during a shot. The data also allows lens mapping to pre‑marked focus rings and reduces the time and expense involved in achieving complex visual effects in post.
Unsurpassed overall image quality
Like the ARRI AMIRA, the ALEXA Mini can record 4K UHD ProRes images, facilitating real-time 4K UHD output and simple pipelines for high-resolution deliverables. More important than this, however, is the fact that the Mini and all other ARRI cameras with the ALEV III sensor offer unrivalled overall image quality by focusing not just on spatial resolution, but also on other image quality parameters such as dynamic range.
Better pixels, not just more
ARRI’s approach is unique in that it does not prioritize one element of image quality over another. To achieve the highest overall image quality, ARRI uses bigger and better pixels on the sensor, rather than smaller pixels in larger numbers. The result is that ALEXA captures a wider dynamic range, truer colours, lower noise and more natural skin tones than other cameras, whether the chosen output is HD, 2K, 4K UHD or one of the native resolution outputs like uncompressed ARRIRAW 2.8K or ProRes 3.2K. This approach is vindicated by the huge numbers of professional filmmakers who choose ALEXA after extensive real‑world comparative testing.
Safe for future industry standards
Images from the ALEXA Mini are uniquely suited to next‑generation HDR (High Dynamic Range) displays, which are likely to play a role in defining future format standards. In addition, the ALEXA Mini’s camera speeds of 0.75 – 200 fps allow it to be used not just for slow‑motion shots, but also for HFR (High Frame Rate) acquisition, which might constitute another strand of future standards. ARRI’s holistic approach to image quality makes ALEXA the most future-proof camera system available today, and the safest investment for tomorrow.
£400 per day / £1600 per week + VAT.
Cooke Mini S4/i Set
The Cooke miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution.
Set includes 6 lenses: 18, 25, 32, 50, 75, 100 mm.
£300 per day / £1200 per week + VAT.
OConnor Ultimate 2560 Fluid Head + 60L Carbon Fiber Tripod System
INCLUDED WITH HIRE:
- 1x OConnor Ultimate 2560 Fluid Head
- 1x 60L Carbon Fiber Tripod System
OConnor introduces the 2575’s baby brother…the 2560, perfectly suited to the adaptable, a la carte configurations of accessorised digital cinematography. For example cameras such as the Alexa in portable configuration or any lightweight digital cinema camera (from Sony, Canon, ARRI, AJA, JVC, Panasonic, Vision Research,RED) in ‘maxed out’ studio configuration. OConnor Ultimate heads have been used on almost every Hollywood movie feature and episodic TV Drama since the early 1990’s and OConnor heads in general have been heavily utilised in the industry since 1949.
Crafted for “cine-style” shooting, the new head design delivers cinema standard positioning of controls, including brakes and rosettes, for easy and intuitive use. The 2560 fluid head also includes OConnor’s patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range. In combination with the company’s stepless, ultra-smooth pan & tilt fluid drag, the 2560 delivers the control and stability that have been characteristic of OConnor for over 60 years. “Whatever camera configuration our users need to support, whether digital or film, the Ultimate 2560 will accommodate them without compromising on performance,” said Steven Turner, Product Manager for OConnor. “Offering many of the same features as our flagship 2575D head, the 2560 provides the quality and reliability synonymous with OConnor in a lighter weight, smaller form factor. Whether you’re looking to support an increasing number of accessories, gain more flexibility and mobility in the field, or future-proof your camera support system, the 2560 delivers a perfectly balanced solution for digital cinema shooters.”
The Ultimate 2560 fluid head is housed in lightweight magnesium, ensuring a best-in-class performance and a superlative power to weight ratio. Weighing less than 18 pounds, the 2560 is capable of supporting camera payloads up to 66 pounds at a 6-inch centre of gravity above the platform. In addition, each head comes with a carbon fibre cover for improved stiffness and maximum durability in extreme conditions.
As camera technology continues to evolve rapidly, OConnor’s newest fluid head is one of several products the company is introducing to meet the shifting needs of cinematographers and operators. “All of OConnor’s products are engineered to meet the demands of today’s challenging camera work, and now, more than ever, flexibility means everything,” added Turner. “The Ultimate 2560, with its high latitude of range and infinite, accurate balance and drag, is the very definition of versatile.”
£125 per day / £500 per week + VAT.
DJI Ronin – Handheld 3-Axis Camera Gimbal
3-axis Stabilised Handheld Gimbal Set
Using precision aircraft-grade aluminium, custom-made 32-bit processors, super-accurate sensor technology and advanced algorithms, DJI have created a motorised gimbal system that is both reliable and super-stable, giving extreme precision when manipulating control angles. Accuracy of +/-0.02 degrees is achievable. It is also flexible and can be used with a multitude of cameras from the Red Epic down to small compact system cameras.
The Ronin can be configured in any of three operation modes for different requirements with no change in functionality. Upright (overslung) Mode gives an eye-level viewpoint, while the normal underslung mode is for any viewpoint from chest height to ground level and in this mode can be supported by a jib or crane. Finally there is Briefcase Mode which is better for negotiating tight spaces but still with full functionality.
Unlike some other gimbal systems, the DJI Ronin does not require tools for adjustment, as it has a built-in balance adjustment system. In fact setup is possible in as little as 5 minutes when changing position or configuration and the ATS (Auto Tune Stability) technology intelligently fine-tunes the gimbal to your rig. Smoothtrack Control also allows for smooth changes in camera angle for a single operator.
The Ronin uses technology from DJI’s Zemuse range of gimbals (brushless motors, multiple control modes and built-in IMU) for an ultra-smooth operation, and comes supplied with a 2nd operator remote control which enables the second operator to control camera movement independent of gimbal movement.
Additional features of this model include a quick release detachable top handle bar, quick swap smart battery, power distribution box, mountings for 15mm rods, Bluetooth Assistant software, and an Assistant app giving the Ronin’s vital stats in real time.
£125 per day / £500 per week + VAT.
Arri FF5 Cine Follow Focus
With the ARRI Follow Focus FF5-CINE, a completely modular, film style follow focus is now available for digital productions. Designed specifically for cine-style lenses , the FF-5 CINE swing arm ensures proper gear position on the focus ring and a lower gear ratio for a more exacting focus pull on smaller diameter lenses or those with compressed focus scales.
The FF5-CINE integral snap-on mechanism locks to 15mm lightweight support rods and can be adapted to work with ARRI standard 15mm or 19mm bridgeplate support rods. ARRI Follow Focus drive gears can be attached to either side of the swing arm, allowing greater mounting flexibility.
ARRI gears are made from low friction Delrin for optimal drive smoothness and use precise self-centering stainless steel couplings to eliminate runout and wear.
For more options, the FF-5CINE is compatible with all ARRI FF-4 Follow Focus accessories. Right and left focus knobs and the FF-5s longer body allow operation from either camera side with ENG lenses.
In addition, an extension is available to clear the largest matteboxes. Short and long focus whips allow the assistant to stand farther away from the camera and a focus crank makes fast snap zooms smooth and accurate.
£75 per day / £300 per week + VAT.
Arri Wireless Compact Unit WCU-4 Cforce Set
Wireless Compact Unit WCU-4
Three Axes - All Inclusive
The Wireless Compact Unit WCU-4 combines three axis of lens control with a lens data display in a compact and ergonomic housing. Weighing around 780 grams including battery, it’s one of the lightest hand units in its class, providing unrivaled comfort during a long working day.
ALEXA Remote Control
An optional software license will enable you to remote control all ALEXA Plus type cameras, except the ALEXA HD Plus. This includes setting frame rate, shutter angle, exposure index, false color on the monitor output, and more. Extended camera status information is also available, allowing you to quickly check your camera settings at any time.
Tactile vibrating feedback lets you keep your eye on the action in the most challenging situations. Operators can concentrate on the scene, knowing that the hand unit will vibrate to prompt them when focus markers are reached.
Backlit Focus Knob
The super-smooth focus knob contains an integrated light source that shines through the wide, optionally pre-marked focus ring in low light conditions, thus providing clearly readable focus marks at all times. The friction of the focus knob can be easily adjusted to one’s personal preference without any tools.
Easy-to-Read Lens Data Display
Clearly arranged, easy-to-read lens and camera information is available on the large 3” display, along with data from optional ultrasonic distance measurement devices. The transflective display technology ensures perfect readability in all ambient lighting conditions.
Pre-Marked Focus Rings
Lens scales can be mapped to a set of high quality pre-marked focus rings in metric or imperial scale.
The WCU-4 user button can be configured to activate focus tracking - setting the focus motor to continuously follow a subject by using an ultrasonic distance measurer. Focus tracking works with ARRI's Ultrasonic Distance Measure UDM-1 and the Universal Motor Controller UMC-4.
Included in Cforce Set Hire:
1x K2.72103.0 Wireless Compact Unit WCU-4
1x K2.72133.0 Pre-Marked Focus Ring 12"
1x K2.72136.0 Pre-Marked Focus Ring 3'6"
1x K2.72129.0 Pre-Marked Focus Ring 0.25m
1x K2.72132.0 Pre-Marked Focus Ring 1.00m
1x K2.72117.0 White Focus Ring
1x K2.0006501 WCU-4 Plate
3x K2.47851.0 NP-FM500H Batteries (Sony)
1x K2.0002065 BC-QM1 Battery Charger (Sony)
1x K2.0006355 cforce mini (Basic Lens Motor Set)
2x K2.0006750 Cable LBUS (0.3m/1ft)
1x K2.72146.0 Carrying Case for WCU-4 and accessories
£150 per day / £600 per week + VAT.
Arri LMB-25 Pro Lightweight Clip-on Matte Box
The LMB-25 is a clamp-on matte box that expands the feature set and creative possibilities of the LMB-15, while retaining the low price tag of an entry-level LMB-5.
2- or 3-filter metal filter stage guide
Combo 4x4 / 4x5.65" filter frames
Compatible with all LMB-5/15 filter frames, Clamp Adapters and light shields
Wide angle hood easily removable on set with captive screws
Securing loop on main frame for crane and vehicle use
5x5" filter frames
Bottom Flag attachments
Carbon Top/bottom flag
Set of 5x mattes
3/8" top mount for accessories such as ultrasonic devices
Bottom mounted tray securing catch for crane and vehicle use
£65 per day / £260 per week + VAT.
Arri SMB-2 Studio Matte Box
The Studio Matte Box SMB-2 is optimized for 4" x 5.65" filters positioned either vertically or horizontally. It is well suited to most prime lenses and smaller zooms.
The SMB-2 Tilt has an exclusive, integrated tilt module and all versions benefit from stackable filter stages, allowing quick reconfiguration.
Uniquely, there are two sizes of sunshade available, one in a 4:3 ratio for spherical filming.
When recording a standard 2.8K image with ALEXA and using a 3-filter stage configuration, the SMB-2 covers lenses up to the 14 mm Master Prime and 14 mm Ultra Prime, as well as all Alura zooms.
£80 per day / £320 per week + VAT.
Hawk-Woods VL-90HP V-Lock Battery Kit
INCLUDED WITH HIRE:
4x Hawk-Woods VL-90H (VL90H) 90Wh 14.4v High Performance Lithium-Ion Batteries + Charger
High Performance Contacts
Discharge / Voltage Protection
Short Circuit / Thermal Protection
Hawk-Woods new high performance range, starting with the VL-90HP, This fantastic new battery range offers so much more!
VL-90HP has new cell technology, The new cells offer very low resistance which allows the user to draw high current up to 15A from a single cell. Extra high performance contacts have been added which benefits the high performance range, taking the load off existing contacts, this allowing you pull more current comfortably.
High performance can be used in conjunction with high drain film cameras such as Phantoms Flex 4k when loaded you are able to pull 200wh from a single battery!
LED lighting set-ups can also benefit from V-LOK high performance, for being a lightweight setup which is capable of dealing with the demand of todays lighting industry.
Built in fuel gauge, thermal protection, short circuit protection, discharge and voltage protection are all still features.
£60 per day / £240 per week + VAT.
Easyrig Vario 5 + Flowcine Serene
Easyrig Vario 5 + Flowcine Serene + Optional Gimbal Extension.
For cameras/ set-ups weighing 5-17kgs.
The optional extended arm on this rig makes it perfect for shooting with our Ronin.
Long day with a Ronin or Movi? This one is for you!
The Easyrig vario 5 gives you the same advantages as other Easyrig models with the added benefit of being able to adjust the line tension to adapt to many different cameras and configurations.
The Vario 5 has an adjustable weight range from 5-17kg (11-38 lbs). By turning the adjustment screw located on the back, you can easily change the tension / power of the line.
The Flowcine Serene is a two axis spring arm that attaches at the end of the Easyrig (2.5/3) arm. It stabilises vibrations and motion errors on the vertical axis that comes from walking or running with the rig. It also stabilises side to side errors in the same scenarios by counter pivoting around it’s centre axis. At the same time you have full use of the Easyrig spring extension that will allow you to go from high to low mode while at the same time the Serene will take care of the vertical and side to side stabilisation adding two more stabilised axis to your existing system.
£225 per day / £900 per week + VAT.
Atomos Shogun 4K HDMI Monitor/Recorder
The Atomos Shogun, a stunning 4K HDMI / 12G-HD-SDI 7″ monitor and recorder. It combines a jaw-dropping colour-calibrated 1920 x 1200 resolution display, which makes for a superb monitor (both in the studio or in the field) and is perfect for serious focus pulling, combined with a UHD 4K recorder capable of recording 4K over HDMI and 12G-SDI inputs.
Record 4K and RAW
Record straight from the camera’s sensor in pristine 4K Apple ProRes or Cinema DNG Raw over HDMI and 12G-SDI. Seamlessly switch between 4K cameras with HDMI to SDI and SDI to HDMI conversion.
High End HD
For HD recording, the Shogun is our most advanced product to date. Boasting 10-bit Apple ProRes recording, high frame rate 1080p120/60/50 and 2-way conversion between HDMI and SDI. The HD world is not forgotten with Shogun.
4K Made Affordable
We’ve tamed the complexity and cost of 4K. Record 5 hours of 4K ProRes 422 HQ on a 2TB HDD using our optional RAID caddy system for less than $100, or to SSD or CFast. There are no hidden leasing costs for codecs after purchase – its all included in the price with Shogun
Full HD Directors Monitor
A stunning 7.1” 1920 x 1200 320ppi screen with 178˚ viewing angle, makes Shogun perfect as a director’s monitor. With class leading features like waveform, focal assist, zebra, calibration and 2:1 zoom it’s the perfect tool for perfect shot setup.
Monitor & Record from your Camera, Mac and PC
Open up Apple ProRes and Avid DNxHD post production quality to thousands of devices (cameras, projectors, tablets, phones, game consoles, medical and industrial equipment).
1920×1200 IPS Touchscreen Display
Records 4K (3840×2160) up to 30 fps
Records 1080p up to 120 fps
ProRes and DNxHD 10-Bit, 4:2:2 Encoding
UHD 4K-Capable HDMI Input
12G-SDI Input and Loop-Output
Stores to Single or RAID HDDs or SDDs
Rec. 709 Calibrated with 3D LUT Support
XLR Audio LEMO Breakout Cable Included
What’s in the box
Custom HPRC Carry Case
Manfrotto 492LCD Hotshoe Mount
2 x Master Caddy II with 450GB SSD Drive
2 x NP-570 Battery
Lemo to XLR Cable
SATA / USB 3.0 HDD / SSD Docking Station
£80 per day / £320 per week + VAT.
Panasonic BT-LH1760E 17″ LCD Video Monitor
The Panasonic BT-LH1760E is a high-performance 17″ Multi-Format Colour LCD Production Monitor (120 Hz) with built-in waveform monitor and vectorscope.
- Virtually Delay-free Image Processing
- Diagonal Line Compensation Processing Circuit
- 2 x HD/SD – SDI Inputs, 1 x DVI-D Input
The high-performance BT-LH1760 17″ LCD production monitor combines an advanced In-Plane Switching panel with outstanding black level and high-end functionality to provide exceptional performance for critical monitoring and viewing. Because it has a 120-Hz double-speed drive, twice that of current LCD monitors, the BT-LH1760 handles fast motion content exceptionally well and reduces image blur to a level never before seen in a professional LCD display. Designed with a 3D Look Up Table (LUT) and 10-bit image processing, this AC/DC high definition monitor delivers a remarkable picture that will give you the edge in the studio or in the field.
The LH1760 is equipped with a built-in waveform monitor and Vectorscope, as well as five function buttons that assure quick access to value-added features such as pixel-to-pixel display, cross hatch, split screen, audio level meters, time code and closed caption (from video) displays. With a rugged diecast aluminum frame, low power consumption and quiet operation, the LH1760 is ideal for a wide range of HD production applications in the studio or the field. Includes embedded audio display as standard.
£100 per day / £400 per week + VAT.
Teradek Bolt Pro 300 or 600
The Bolt Pro 300 uses a new RF design that extends the transmission range up to 300ft line of sight. HDMI, 3G-SDI, or dual input models and includes RP-SMA connections for external antennas on the transmitter. The only choice if your rig is lightweight.
The Bolt Pro 600 uses a new RF design that extends the transmission range up to 600ft line of sight. HDMI, 3G-SDI, or dual input models and includes RP-SMA connections for external antennas on the transmitter.
One receiver kit - 100 + VAT
Dual receiver kit - 120 + VAT
£120-£150 per day / £480-£600 per week + VAT.
£120-£150 per day / £480-£600 per week + VAT.
Please visit our partner Alias Hire to view what lighting equipment we have available for hire.
Emmyland works in partnership with Alias Hire and we both strive to deliver the highest quality rentals at affordable rates to filmmakers in the contemporary film industry. We both offer camera, lens and grip hire and can also provide crewing services. We are happy to provide a one stop shop for all the equipment you might need on a shoot, and can cross-hire anything else that you need if it is not listed here. The kit room at Alias is responsible for making sure that all of our equipment remains in perfect condition, performing perfectly for each hire so you can be sure that you can always rely on our equipment when you get on set or location.
Sennheiser EW 100 ENG G3
Still the most popular brand of radio mics and of course fully legal wihtin OFCOM’s frequency range. Just as easy to use as the G2’s and G1’s and still retains the utmost quality.
Fast, flexible and professional: these characteristics make the ew 112-p G3 the perfect fit for every ambitious reporting team seeking both portability and great sound quality. The nearly invisible clip-on omni-directional microphone transmits its signal via a bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged and packed with features.
Sennheiser MKH-416 - Short Shotgun Interference Tube Microphone
Designed for recording audio in film, radio, and television the MKH 416 from Sennheiser is a short shotgun interference microphone optimized for outdoor applications. It offers excellent directional control in a compact design with high consonant articulation and rejection of feedback. The unit is highly immune to humidity because of its RF condenser design. It operates as a hypercardioid at low and medium frequencies with a lobar pattern above 2 kHz.
Pressure gradient receiver with short interference tube
Employs RF-technology to control residual microphone noise. Optimizing the transducer's acoustic impedance results in a further improvement in low noise performance
The RF-design yields low noise levels and high immunity to humidity and moisture
The comparatively low RF-voltage across the elements of the transducer also eliminates arcing and DC-bias creeping currents
Hypercardioid at low and medium frequency, above 2 kHz approaches lobar pattern
Very low inherent self-noise
Transformerless and fully floating balanced output
Rugged, suitable for adverse climatic conditions
Matt black all-metal body
Zoom H4n Mobile 4-Track Recorder
True X/Y Stereo Mics
Selectable Recording Patterns
Records up to 24-bit/96kHz
Records to SD/SDHC
XLR/TRS Combo Inputs
USB 2.0 Connectivity
Backlit LCD Display
Uses AA Batteries
The Zoom H4n Handy Recorder picks up where the H4 left off and adds additional features to an already popular audio recorder. Ideal for recording interviews, lectures, rehearsals, meetings, and more, this palm-sized unit packs the ability to record up to 4 channels of audio at greater than CD quality.
The H4n features onboard true X/Y stereo microphones to pick up clear, natural sound without phase shifting. The mics can be rotated to select a 90° or 120° recording pattern for terrific versatility. The digitally-controlled preamp, combined with the high-quality microphones, allows you to capture Linear PCM audio at rates up to 24-bit/96kHz. The recorder captures audio to SD or SDHC cards with capacities up to 32GB. A USB 2.0 port allows you to quickly transfer files to a Mac or PC, or use the H4n as a live audio interface.
For connecting your own microphones or instruments, the H4n features XLR/TRS combo input jacks with phantom capability. A 3.5mm line output is provided, and a reference speaker is built-in for quickly reviewing your recordings. The unit operates on a pair of standard AA batteries, and features a Stamina mode to provide up to 11 hours of continuous recording at 16-bit/44.1kHz. Other useful features of the H4n include variable playback speed, automatic and pre-record functions, a low-cut filter and limiter for improving the sound quality of recordings, time stamping, a metronome and tuner, and more. The backlit LCD screen and intuitive controls are easy to use, even for the recording novice.
£20 per day / £80 per week + VAT.
£20 per day / £80 per week + VAT.
£20 per day / £80 per week + VAT.