Emmyland - Boutique Camera Rental House to the Film & TV Industry based in South East London
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Arriflex 416 Plus / HS

Arri Alexa Mini

(4:3 + 16:9 Sensor + ARRIRAW + Arri Look Library)

Our Arri Alexa Mini comes with the industry's top of the line accessories and is fully upgraded. We haven't cut any corners when it comes to our kit and are proud to offer the only the very best. This includes, the ultimate, top of the line, 100% Arri accessories for the camera cage housing, mounting plates and shoulder pad and your choice of Ronford Baker Moose Bar Kit or Vocas' absolutely beautiful ergonomic handheld grip system.

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Welcome to Emmyland! We're a boutique rental house based in Brockley, South East London specialising in bespoke wet and dry equipment hire to the motion picture film and tv industries. We specialise in camera, lens and grip hire.

Emmyland was founded by Focus Puller and Camera Technician Emily-Jane Robinson who has over 10 years experience working within the film and tv industry within the Camera Department. We are proud to be the first rental house in the United Kingdom with a female Founder and Managing Director.

Emmyland is a truly independent rental house, with its roots and heart being birthed from within the Camera Assisting community. We are run by ACs, for ACs, so that Cinematographers will only have the very best equipment to work with with us as suppliers. Our kits are built by experts, for experts. We aim to be the superior and most simple solution for production as we have been founded on the principles of only sending out and stocking immaculately prepped and perfectly performing equipment. You will never see an Emmyland label on set and find that there are bits and bobs missing or that things are not working properly. If you choose to hire from us, we can guarantee that you will only be working with the very best.

Emmyland shooting kits are in immaculate condition and are rigorously specified and maintained in house. We stock only the very best industry standard equipment: from Arri camera systems, Cooke, Zeiss and Arri lenses, to Ronford Baker grip equipment. All of our equipment comes prepped and ready to shoot with every imaginable accessory always included. By going above and beyond to make sure that we are only supplying the best and by building up our camera packages with all of the additional essential accessories, we can ensure that you can always rely on our gear and it is always ready for anything when it gets on to set or location.

All of the equipment listed on our website is Emmyland in-house kit. We are happy to provide a one stop shop for all the equipment you might need on a shoot, and can cross-hire anything else that you might need if it is not listed here on our website through our collaborators and dedicated cross-hire partners in the industry.

We invite you to come and visit us and test our equipment at our 1,200 sq ft Headquarters in Brockley, South East London. We pride ourselves by offering an exceptionally personalised service to all of our clients, no matter the budget or size of the production. We can also offer package deals and are happy to facilitate testing at our kit rooms and to answer any technical questions you might have.

Our founder Emily-Jane is always available to accompany our equipment on set and come on board as Focus Puller and 1st AC, and so is Max, our dedicated Director of Operations and 2nd AC / Loader. Emily-Jane and Max have been working together almost exclusively for 5 years and work most efficiently as a team. We can offer exceptionally competitive discounts on projects where they are able to come on board to assist your Director of Photography and form the camera department. Check out What We Do to read more about our unique wet-hire one-stop-shop service and how we might be able to assist you on your next production.

To view Emily-Jane's Focus Pulling work please visit her portfolio website at www.emilyjanerobinson.com.

Arriflex 416 PLUS / HS

We are pleased to introduce the Arriflex 416 to our line up of cameras now supplied with the Indie Assist HD Tap.

We have worked hard to offer a deluxe package with every accessory necessary to make shooting on 16mm a dream!

Available in PLUS or PLUS HS

PRODUCT DESCRIPTION:

Arri 416 Plus / Arri 416 Plus HS (High Speed)

Compact & Lightweight
· Small camera body
· Low profile design
· 25% lighter than 16SR 3

High Quality Video Assist
· Improved image quality
· Ajustable image enhancement

Ergonomic Design
· Ergonomic shoulder cut out
· Viewfinder removes quickly for Steadicam and remote applications
· Optional integrated radio & lens motor drivers
· Split bridgeplate for fast switch from tripod to shoulder

35-style Viewfinder
· Brighter, higher contrast, higher resolution
· Bigger exit pupil allows more eye movement
· Multi-color RGB ARRIGLOW
· Accommodates even wide diameter PL mount lenses
· Excellent optical quality with eyepiece extension

The Sound of Silence
The 416 uses a completely new sound insulation design that makes it as quiet as an ARRICAM. An inner skeleton is suspended by symmetrically positioned rubber insulators in the outer shell. The camera's movement and other parts that create vibrations - and thus unwanted sound - are mounted to the inner skeleton. The insulators prevent any sound from the inner skeleton to radiate to the outer shell. The symmetrical positioning of the insulators ensures that the flange focal distance stays constant so there is no change in depth from heat or cold.

PL Mount & Lenses
The 416 uses the industry standard 54 mm stainless steel PL mount. The stable backfocus afforded by the PL mount and by the robust camera construction is a hallmark of all ARRI film cameras. The PL mount makes the vast selection of high quality lenses for the Super 16 and 35 mm formats available to the ARRIFLEX 416. This includes the Master Primes, which combine the highest optical quality with a super fast stop of T1.3. This includes the Ultra Primes, the modern prime lens set with the widest focal range from 8 to 180 mm. It also includes all the specialty lenses available only for film cameras, like macro lenses, super long telephoto zooms or zooms with a super wide range, fisheyes, extreme telephotos, Shift & Tilt lenses, tilt focus lenses, reverse perspective lenses, squishy lenses and so on.